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Leonor Fini: Stryges Amaouri (1947)
Leonor Fini: The Raft (La Radeau, 1940–43)
Leonor Fini: Self-Portrait with Owl (1936)
Leonor Fini: The Owl Man (or The Man with the Owls, c. 1945)
Leonor Fini: Stryges Amaouri (1947)
Posted inSurrealism

Leonor Fini: Stryges Amaouri (1947)

1. The Central Nude Figure At the center lies a pale, androgynous body wrapped in vines and leaves, reclining amid rich drapery in deep golds and purples. Sensuality and Vulnerability:…
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Leonor Fini: The Raft (La Radeau, 1940–43)
Posted inSurrealism

Leonor Fini: The Raft (La Radeau, 1940–43)

1. Composition and Setting Two women sit on a delicate wooden raft floating in a vast, still ocean, isolated under a softly clouded sky. There is no land in sight,…
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Leonor Fini: Self-Portrait with Owl (1936)
Posted inSurrealism

Leonor Fini: Self-Portrait with Owl (1936)

1. The Owl as a Companion In this painting, the owl is perched lightly on her hand, suggesting a close, intentional bond rather than a symbolic backdrop. Unlike the more…
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Leonor Fini: The Owl Man (or The Man with the Owls, c. 1945)
Posted inSurrealism

Leonor Fini: The Owl Man (or The Man with the Owls, c. 1945)

Interpretation of the Painting 1. The Androgynous Figure (The "Owl Man"):The central figure appears androgynous or ambiguously gendered, which is typical of Fini’s fascination with hybrid identities and fluidity. Fini…
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Recent Posts

  • Leonor Fini: Stryges Amaouri (1947)
  • Leonor Fini: The Raft (La Radeau, 1940–43)
  • Leonor Fini: Self-Portrait with Owl (1936)
  • Leonor Fini: The Owl Man (or The Man with the Owls, c. 1945)

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Posted inSurrealism
Leonor Fini: Stryges Amaouri (1947)
Posted by By WomenInArt Blog 23/08/2025
Posted inSurrealism
Leonor Fini: The Raft (La Radeau, 1940–43)
Posted by By WomenInArt Blog 23/08/2025
Posted inSurrealism
Leonor Fini: Self-Portrait with Owl (1936)
Posted by By WomenInArt Blog 23/08/2025
Posted inSurrealism
Leonor Fini: The Owl Man (or The Man with the Owls, c. 1945)
Posted by By WomenInArt Blog 23/08/2025
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